The design world this week: real makers, real collections, real conversations, and the people worth knowing. Curated daily, released weekly, everything sourced.
James Cherry Studio
Named to Sight Unseen's 2025 American Design Hot List after a year lighting half the rooms worth photographing in New York.
James Cherry makes light look handmade. His lamps expose their internal grid structures, then soften them under resin-coated fabric and small cedar accents, a tension between engineering and glow. Commissioned by interior designers from Jamie Bush to Studio Shamshiri, he has quietly become one of the most in-demand lighting makers working today.
A weekly edit of what the design world is making and saying, and the people making it worldwide. Every image links to its source; every palette is our reading of the piece.
House of Hackney
The UNTAMED Collection, House of Hackney's SS26 trade launch, treats animal print as authorship rather than trend, with 1% of collection sales going to World Land Trust to protect the habitats the patterns are drawn from. A maximalist statement paper with a conservation story attached.
Porta Romana
Flow, Porta Romana's new seasonal collection, is built around motion held in solid form: handblown glass that reads as still molten, locally forged metalwork and surfaces shifting from raw to reflective, including the Edna Pendant and Boudica lamps. A dependable source of sculptural statement lighting from a newly B Corp certified English maker.
PINCH London
First Light is the newest collection from Russell Pinch and Oona Bannon, gathering the Tove circular dining table, the Glover drinks cabinet, Soren and Pium pendants and the Ellery bedside into one warm, pared-back release. PINCH remains the reference point for quiet British furniture that photographs like sculpture.
Wallpaper*
Anna Solomon's round-up of eleven June 2026 launches runs from Georg Jensen silver to IKEA flat-pack and slow tech, published 30 June. The most current single snapshot of what crossed the design press's desk this month, worth scanning before any new-season sourcing trip.
Independent and emerging talent from around the world, chosen for The Edit. Every one links to their studio.
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THE EDITNo. 1221 September 2026 · 9 storiesNew colours from Dorset, a radiator worth looking at, and the best of London Design Festival.
THE EDITNo. 1114 September 2026 · 12 storiesCollate Lobby opens a curated designer platform inside a fictional 1930s hotel suite
THE EDITNo. 107 September 2026 · 18 storiesFaye Toogood crumples paper into Johnny, a family of lanterns on a wrought iron skeleton
THE EDITNo. 0931 August 2026 · 16 storiesArte cuts, stitches and embroiders leather into its spring 2026 wallcoverings
THE EDITNo. 0824 August 2026 · 17 storiesThe Vault Creative turns a collector's found objects into its first wallpaper
THE EDITNo. 0717 August 2026 · 18 storiesMichele De Lucchi takes the creative reins at Triennale Milano
THE EDITNo. 0610 August 2026 · 18 storiesPaul Montgomery turns Odilon Redon's Domecy panels into a mural collection
THE EDITNo. 053 August 2026 · 8 storiesKoket's Women of Art Deco is a 38-piece answer to the client who asks for glamour
THE EDITNo. 0427 July 2026 · 11 storiesBlue Green Works sculpts an emotional lighting collection in Murano glass
THE EDITNo. 0320 July 2026 · 17 storiesHouse of Hackney goes UNTAMED with a hand-drawn animal-print collectionTHE EDITNo. 0213 July 2026 · 6 storiesWallpaper*'s June Design Drop: craft heritage meets flat-pack
THE EDITNo. 016 July 2026 · 24 storiesZoffany and Michael S. Smith take the archive outdoors with 13 performance designs
