Collate Lobby opens a curated designer platform inside a fictional 1930s hotel suite, image via Dezeen
Issue No. 11 · 14 September 2026

THE
EDIT

The design world this week: real makers, real collections, real conversations, and the people worth knowing. Curated daily, released weekly, everything sourced.

Andu Masebo, Furniture & productAndu Masebo
Designer of the Week

Andu Masebo

Furniture & product · London, United Kingdom

Named Emerging Designer of the Year at the Dezeen Awards 2025 for making design feel accessible through storytelling, not spectacle.

Andu Masebo builds objects the way a good writer builds a sentence, with nothing wasted. His work foregrounds the processes of making rather than hiding them, from modular tables and stools to a co-curated exhibition of birdhouses. The result is furniture that carries a quiet social intelligence beneath its restraint.

Oiled AshWorkshop GreyInk

A weekly edit of what the design world is making and saying, and the people making it worldwide. Every image links to its source; every palette is our reading of the piece.

This week, in three

What caught our eye

Chapter I · FabricClothThe fabric housesRead the chapter
GP and J Baker put 18 designs through the needle in Winslow, image via G P & J BakerG P & J Baker
Fabric · September 2026

GP and J Baker put 18 designs through the needle in Winslow

Winslow is an embroidery collection first and a pattern collection second, which is the distinction worth holding on to: the brand's own framing is a range of stitch techniques, swirling botanical trails, geometric stitchwork and expansive suzani motifs, carrying English garden hydrangeas, winding trails and Chinoiserie peonies. Eighteen designs across roughly thirty colourways, among them Winterton and Leighton in red and green, Suzani Stitch in blue and jewel, Art Stitch in aqua and ochre or rose and blue, Rosa in soft blue, blush and sage, and Aylsham in green and rose, plus one wallpaper, Apsley in green and blue, so a scheme can carry the motif onto the walls without a second supplier. The designer's read is that stitch does something print cannot, holding light and casting its own small shadow, so an embroidered cloth keeps working in a north-facing room where a flat print goes dead; it also costs and leads differently from print, so price the curtain before the client falls for the sample, and check the colourway count, because several of these run to one only.

Hydrangea BlueSuzani CoralStitch OchrePeony BlushTrail Green
Chapter II · WallpaperWallsPaper and patternRead the chapter
Arte fades one colour into the next across seven wallpapers in Ombré, image via Interior DailyInterior Daily
Wallpaper · September 2026

Arte fades one colour into the next across seven wallpapers in Ombré

The Belgian house Arte follows its Mysuru launch with Ombré, part of its Fall 2026 offer, seven wallpapers built entirely around the gradient, each design taking the transition from one shade into another its own way so the effect reads differently across the range rather than repeating. The useful read for a working scheme is that a graded wall introduces colour and a genuine sense of depth without a motif to commit to or a repeat to line up, which is the quiet way to warm or cool a room where a pattern would shout and a flat emulsion would go dead, and it sits under the muted, pigment-led palettes the feed has been tracking for 2027 rather than competing with them. The one caution the technique carries is that a true ombré is printed to a fixed drop, so it wants a clean wall it can run the full height of and does not take kindly to being cut about around windows, switches and returns the way a small repeat will, which means the measure and the elevation come before the client falls for the sample.

Gradient BlushFaded SandDusk TransitionDeep PoolAtmosphere Grey
Chapter III · ColourColourOn the paint card
Burgundy is the season's saturated neutral, and Business of Home rounds up eight ways in, image via Business of HomeBusiness of Home
Colour · September 2026

Burgundy is the season's saturated neutral, and Business of Home rounds up eight ways in

Caroline Biggs's latest Tearsheet gathers eight deep-wine pieces from the autumn showrooms and, read together, they make the case that burgundy has stopped being a statement and become a base: Zinc Textile's ribbed Kowloon velvet in Brunello, designed for Romo by Dieter Vander Velpen and built to soften with age; Four Hands' high-gloss concrete Vernon dining table and its single-block Arum coffee table in Merlot marble; Ngala Trading's ostrich-trim Cabernet velvet cushion handmade in South Africa; Phillip Jeffries' Promenade mural in Burgundy Bloom; Co.House Designs' porcelain Lloyd side table in dark red; and Wells Textiles' Sumac mohair velvet by Classic Cloth. The useful reading for a working scheme is that deep wine behaves like a warm dark, grounding a room the way charcoal or navy would but carrying heat instead of cool, which is why it sits so easily under the earthy 2027 colour calls the feed has been tracking, a clay pink or a sage rather than a hard black. The one caution the round-up quietly proves is that every piece here reflects light, corded velvet, gloss concrete, polished marble, mohair, because burgundy on a large flat matte surface goes heavy and dead, so specify it in a texture or a sheen, not in an emulsion across a whole wall.

Brunello VelvetCabernetMerlot MarbleSumac MohairSateen Bone
Little Greene adds 26 colours and reprints the card, live from today, image via Little GreeneLittle Greene Colour

Little Greene adds 26 colours and reprints the card, live from today

Twenty six new shades join the Little Greene palette and the colour card is reissued around them, available from today, 14 September, through the shops, stockists and the website.

Chapter IV · LightingLightMade to glow
Felix Pottinger tilts a disc over a cylinder for Maytoni's Topo portable lamp, image via DezeenDezeen
Lighting · September 2026

Felix Pottinger tilts a disc over a cylinder for Maytoni's Topo portable lamp

Topo, designed by Felix Pottinger Design Studio for the German brand Maytoni, sets a tiltable disc-shaped shade on a plain cylindrical base, its translucent diffuser throwing a sharp play of light, shadow and reflection onto the form below while it casts a soft glow beyond; it is rechargeable and portable by intent, meant to move from a bedside to a shelf corner to an outdoor table, and comes in four mid-century finishes, black, light blue, brown and polished metal, at 159 by 159 by 200 millimetres. The designer's own line is that the lamp is about a dialogue between light, surface and space, its presence changing with where it is put rather than sitting as a fixed object. For a working scheme the value is the price bracket more than the novelty, because the cordless table lamp has become the small luxury every client now wants on a kitchen island or a bathroom shelf and most of the good ones come from the luxury houses, so a considered, well-made version from a mid-market lighting brand is a useful thing to keep in the book for the jobs that cannot carry a Vaughan or a Bocci on every surface.

Topo BlackMaytoni Light BlueWarm BrownPolished MetalDiffuser Glow
Chapter V · FurnitureFormPieces with a spineRead the chapter
Gibson Karlo turns an outback silo joint into the Cattle chair for Design By Them, image via DezeenDezeen
Furniture · September 2026

Gibson Karlo turns an outback silo joint into the Cattle chair for Design By Them

The Cattle armchair, designed by Gibson Karlo for the Australian brand Design By Them, takes its structure from the industrial metalwork of rural silos, adopting the agricultural trick of flattening a tubular steel section and screwing it together where the tubes cross, then refining that usually harsh transition so the round tube and the flat plate flow into one another and the join becomes the defining feature rather than a compromise. Karlo's own words are the point, that "we refined the typically harsh transition between round tube and flat surface, allowing the two forms to flow together and making the join a defining feature of the piece", and the frame is finished in high-gloss powder-coated steel in two shades, a deep Merlot and a warm Camel, with plush cushioning that drapes over the arms and back in a choice of Kvadrat and Maharam cloth. For a working scheme it answers a specific want, a lounge chair that carries a coloured, worked metal frame instead of chrome or black, so the structure does the decorating and the upholstery can stay quiet; at 890 by 940 millimetres it reads as a proper occasional chair rather than a slim accent, so check the plan before pairing it, and the gloss finish is the thing to see in person because it will bounce a room's light in a way a matte frame never does.

Merlot GlossCamel GlossSilo SteelKvadrat EcruAgricultural Charcoal
Resident takes 800 square metres off Pentonville Road and asks you to sit down, image via London Design FestivalLondon Design Festival Furniture

Resident takes 800 square metres off Pentonville Road and asks you to sit down

In Living Colour marks fifteen years of the New Zealand furniture and lighting brand Resident with a two-month London residency that opened on 3 September and runs right through the festival, free and unticketed, on the fifth floor at 4 Pentonville Road.

Chapter VI · Talking pointTalkWhat the trade is saying
Collate Lobby opens a curated designer platform inside a fictional 1930s hotel suite, image via DezeenDezeen
Talking point · September 2026

Collate Lobby opens a curated designer platform inside a fictional 1930s hotel suite

Lobby is a new design platform launched during London Design Festival by the recruitment agency Collate Form, and its debut takes the form of a fictional 1930s hotel suite and foyer staged across two rooms at Yorkton Workshops in Hackney from 12 to 20 September, more than forty limited-edition and prototype pieces made by over thirty designers and makers to a single brief, an object that deserves to live in a Parisian boudoir-like hotel. The standouts read as a materials sampler for art deco done now, a polished metal mirror by Jaclyn Pappalardo, a chainmail partition screen by Edward John Milton, Matthew Coules's Vega lounge chair, Josh Page's Acid floor lamp on a carved teak-veneer base, and a cast bronze table lighter by Thomas Wheller. The reason it belongs on a working designer's radar is the model rather than any one piece, because founder James Garis has built Lobby to sit between a brand and a retailer, curating emerging and established makers, asking each drop to answer a theme, and holding exclusive rights to every design for a minimum of three years, which means it is where you go for a genuinely one-off statement object that will not turn up on a neighbour's shelf, though everything here is an edition or a prototype rather than a specifiable range, so treat it as the source for the single distinctive thing a scheme turns on and not for the quiet furniture around it.

Polished Steel MirrorChainmail PewterTeak VeneerBoudoir RoseCast Bronze
The Happy Few weave a ten-metre street into a rug that changes season down its length, image via DezeenDezeen Trend

The Happy Few weave a ten-metre street into a rug that changes season down its length

The Long Take is a ten-metre wool rug by the textile studio The Happy Few, shown in the Contemporary Design Selections at this year's Lake Como Design Festival, the eighth edition of Giovanna Massoni's curated show, staged for the first time inside the neoclassical Villa Saporiti and running to 20 September under the theme Borders.

Twelve tonnes of HS2 spoil, pressed with a biscuit mould, image via DezeenDezeen Trend

Twelve tonnes of HS2 spoil, pressed with a biscuit mould

Bahbak Hashemi-Nezhad and Rafael El Baz diverted twelve tonnes of clay from landfill at Old Oak Common, the HS2 station under construction in west London, and turned it into Sweet Terrain, a relief wall tile whose pattern comes from the wooden moulds used to press Ma'amoul, the Arab biscuit, borrowed from Lebanese and Syrian bakers in the surrounding streets.

Focus/26 opens at Chelsea Harbour, 700 brands and the autumn launches first, image via Design Centre, Chelsea HarbourDesign Centre, Chelsea Harbour Talking point

Focus/26 opens at Chelsea Harbour, 700 brands and the autumn launches first

Focus/26 on Design runs from today to Friday 18 September, 9.30am to 5.30pm, free and open to everyone with no ticket beyond registration: 700 brands across more than 140 showrooms, over 30 pop-up House Guests taking space in the Design Avenue, and more than 100 events with upwards of 300 speakers including Rita Konig, Max Rollitt, Michael S Smith, Katharine Pooley and Drew Pritchard.

A home for designers

Makers worth knowing

Independent and emerging talent from around the world, chosen for The Edit. Every one links to their studio.

The back issues

Every issue

Newest on the left. Drag, swipe or use the arrows, and use the arrow keys to turn the page.